Kim Yoo-jung's Colonial Spy Drama Premieres October 10 with a Prequel Special
tvN's 100 Days of Lies premieres October 10, starring Kim Yoo-jung as a pickpocket turned double agent inside the Japanese Government-General. A prequel special airs ahead of the debut.

Kim Yoo-jung and Park Jin-young lead tvN's latest Saturday-Sunday drama 100 Days of Lies, which premieres October 10 at 9:10 p.m. KST as part of the channel's 20th-anniversary slate. It sits in a long line of Korean historical thrillers set during the Japanese colonial period, but the specific premise here is narrower and more pointed than most: a young woman from the very bottom of colonial society plants herself inside the Japanese Government-General building as a double agent for the Korean independence movement.
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Director Yoo In-sik, known for the Dr. Romantic series and Extraordinary Attorney Woo, joins writer Ryu Bo-ri, whose previous work includes the quieter romance Do You Like Brahms?. That pairing is notable on its own: Yoo's reputation is built on propulsive ensemble drama, while Ryu's on emotional interiority, and the combination has been a talking point since the project was announced.
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The premise, in Ryu Bo-ri's own words
Ryu spent time before writing asking herself a question she says she could not easily answer: whether she would have committed her life to the independence movement knowing she might die before seeing its outcome. The answer she arrived at, she explained, was love, not in a sentimental sense but as the only framework capable of explaining why people risked everything for an outcome they might never witness.
She describes 100 Days of Lies as a "what if", specifically, what if the independence movement had planted its own spy inside the Japanese Government-General, and what if that spy was a teenage pickpocket that colonial society had written off entirely. The inversion is deliberate. Histories of the period focus on Japanese agents infiltrating Korean resistance networks; this drama reverses the direction.
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The second structural element Ryu flags is translation. Several characters operate in different languages, and the drama uses those asymmetries as a source of suspense: a translator can relay the truth, or quietly reshape it for the other side. That kind of built-in information imbalance is well-suited to spy plotting, and it gives the romance a particular edge when the two leads, whose cover identities require them to work alongside each other inside the Government-General, cannot be certain what the other person actually knows.
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Cast and characters
Kim Yoo-jung plays Lee Ga-kyung, the pickpocket-turned-agent. Park Jin-young takes a dual role: outwardly an elite Japanese interpreter named Sato Hideo, and covertly a Korean operative named Kim Tae-woong. The two are positioned as a new trainee and a senior interpreter at the Government-General, a hierarchy that gives the show room to build tension through proximity before either character fully understands the other's real allegiances.
Kim Hyun-joo plays Yoo So-ran, a sniper for the Korean resistance organization Gukgukdan who has a prior history with another character in the building. She has entered the colonial world under a false identity and is in a cover marriage with fellow operative Yoo Phillip, played by Lee Moo-saeng, while preparing an assassination mission from the inside. Jin Sun-kyu rounds out the main ensemble as Sato Shin-ichi.
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Before the premiere: the Secret Documents special
On the 22nd, tvN announced a prequel special titled 100 Days of Lies: Secret Documents, releasing a first teaser video at the same time. The format is unusual for Korean pre-premiere specials: instead of a standard press junket clip package, the five leads were filmed on the actual drama sets, introducing their characters and the drama's world in character-adjacent settings. Hosts Tak Jae-hoon and Kim Jong-min anchor the program.
Character posters unveiled on the 21st show each of the five principals in expressions that track closely with their roles: Kim Yoo-jung's Lee Ga-kyung with a hard, angry look; Park Jin-young's Sato Hideo caught in something close to alarm; Kim Hyun-joo's Yoo So-ran composed but carrying visible grief; Lee Moo-saeng's Yoo Phillip looking close to the edge; and Jin Sun-kyu's Sato Shin-ichi in a threatening posture directed at someone off frame. The silhouette of the Government-General building runs beneath all five figures, with a tagline that translates roughly as: "Do not be found out. Neither your feelings nor your identity."
Ryu Bo-ri described working with director Yoo In-sik with a degree of warmth that bordered on wry: she said she had heard he was known for his character, but that working with him directly made her think the reputation had undersold him. For a production staking a period spy premise on two leads whose registers are quite different, Kim Yoo-jung's grounded naturalism, Park Jin-young's more formal screen presence, the tone of that collaboration will matter as much as the script's "what if" when the first episode airs on October 10.
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