EVAN on ENHYPEN's Billboard No. 1, Fan Heartbreak, and the Childhood Illness He Kept Hidden Until Now
Former ENHYPEN member EVAN held a media showcase on the 7th for his debut mini-album DEATH OF ME, an eight-track self-produced record he describes as a mirror held up to his own life. Speaking candidly at Kyung Hee University's Peace Hall in Seoul, he addressed fan concerns about his departure, offered warm words about ENHYPEN's historic Billboard 200 No. 1, and revealed how a childhood battle with lymphoma quietly shaped the album's core message of hope.

EVAN walked out onto the stage at Kyung Hee University's Peace Hall in Seoul on the 7th and performed the title track from his debut mini-album DEATH OF ME for the first time in front of press, and the performance made the reasoning behind every creative choice he'd made suddenly legible. The title track is built on a heavy-bass pop R&B foundation, and what stood out in the live staging wasn't flash but control: an isolation move where he grips his own neck and stops dead still, the choreography treating restraint as the statement rather than a workaround.
EVAN, formerly known as Heeseung, debuted as a member of ENHYPEN in 2020 before leaving the group in March this year. Three months later, in June, he re-emerged as a solo artist under the name EVAN with the single Ride or Die. DEATH OF ME, his first mini-album, dropped on the evening of the 7th and marks a more complete statement of intent: eight tracks, all self-produced, with EVAN overseeing the entire project's narrative arc alongside his role as performer.

A mirror, not a comeback album
"The most important thing was capturing honest stories that came from inside me," he said at the showcase. He described DEATH OF ME as a mirror, an album that made him feel like he was looking directly at himself. "There's fear about what lies ahead, but at the same time a desire to keep moving forward and achieve more. The raw, unfiltered version of those feelings is in there."
He scrapped an early draft of the title track's lyrics entirely and spent a week rewriting them through consecutive all-nighters. The word death appearing twice across his two releases wasn't accidental. EVAN cited a line from Dr. Hiriluk in the manga One Piece: A man dies when people forget him. For EVAN, the phrase reframes mortality as artistic erasure. "As an artist, I feel like my reason for existing disappears when my music no longer reaches people. This album is a strong declaration that I won't let that happen."
The album closes with Going Home, a track that traces the emotional arc of surviving hardship and returning to yourself. He framed it as the natural ending to an album that started from the hardest material he had.

The illness he had to name
That hardest material is rooted in something EVAN had shared in a Weverse Magazine interview earlier this year: a diagnosis of malignant lymphoma in elementary school, around age ten. At the showcase he returned to it, calmly and without seeking sympathy.

"The treatment was grueling, and it would be a lie to say it hasn't affected who I am now," he said. "Because this album is about putting my inner self fully on display, I felt I absolutely had to face that part of my story." He described the hospital ward where he watched other children die, and how the words I want to live, I want to go home became the foundation of his understanding of hope. "If this reaches even one person going through childhood cancer, I hope it becomes a small comfort."
That word, hope, runs through every track on the album. "My motto as a solo artist is giving people hope through music," he said. "I want my music to be something you can draw strength from when you're exhausted and struggling."

On ENHYPEN and what he owes the fans
EVAN was direct about the harder questions, too. ENHYPEN recently hit No. 1 on the Billboard 200 for the first time with their eighth mini-album THE SIN : BLISS, and he didn't sidestep it. "I'm proud of them. A Billboard 200 number one is not an easy thing to achieve. My job is to show the best version of myself from where I stand, and I think that's true for all of us."
On the fan hurt that followed his departure from the group, he addressed ENHYPEN's fandom, ENGINE, with equal directness. "I deeply understand the disappointment and concern fans felt. Going solo was a decision I reached after long and serious deliberation." He paused before adding: "The best answer I can give is to prove myself through music and honest action."

He also acknowledged how much the solo journey had already given back: his debut single found an audience, and being able to release a full mini-album just months later felt like something he hadn't taken for granted. "I feel a new sense of emotion at each step. I'll repay the love you've shown me through as many different kinds of music as I can."
EVAN is still signed to Belift Lab. Whether the name change from Heeseung to EVAN marks a clean break or simply a new chapter within the same house, the album he made answers the question more thoroughly than any statement could.
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